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Mediaeval Painters' Materials and Techniques
Mediaeval Painters' Materials and Techniques
Contents
Introduction

The content of the Liber diversarum arcium: a systematic course in painting

Discovery and reception of the Liber diversarum arcium

The importance of the Liber diversarum arcium for technical art history

Table of contents of the Liber diversarum arcium

The organisation of this book


The formation of the Liber diversarum arcium

The Liber diversarum arcium in relation to other art-technological texts   
An introduction to mediaeval recipes for painters and illuminators
Textual parallels between the Liber diversarum arcium and other 'recipe books'

The composing of the Liber diversarum arcium
Composing the Liber diversarum arcium
Separable textual elements within the Liber diversarum arcium
Reworking in the Liber diversarum arcium
Reworking and use: conclusions
The composer of the Liber diversarum arcium
Place of composition of the Liber diversarum arcium
Date of composition of the Liber diversarum arcium
Conclusions: date and place of composition of the Liber diversarum arcium

The writing of Montpellier MS H 277
Manuscript versus text
The codicology of MS H 277: overview
The state of the Liber diversarum arcium text: textual corruption in MS H 277
Codicological conclusions


The Liber diversarum arcium and the state of the art of painting c.1200–1400

The general principles of mediaeval painting technology and technique

Beyond Theophilus: the Liber diversarum arcium and pre-Eyckian oil painting


Conclusions: peculiarities and purpose

MS H 277 and the Liber diversarum arcium: manuscript and text

Why the Liber diversarum arcium was composed

The value of the Liber diversarum arcium

Reliability and usefulness: texts as practical tools

Conclusions


Translation

Aims and principles of the Translation

English–Latin glossary

Translation


Commentary and discussion

The Liber diversarum arcium and the craft of fourteenth-century painting


Latin–English glossary


Edition: Latin text

Aims and principles of the Edition

An editing theory for mediaeval recipe texts

Abbreviations

Manuscripts

Hands

Dictionaries

Latin text


Appendices

Codicology and context within MS H 277

Edition of Compendium artis picturae f. 26v

Text of De coloribus et mixtionibus

Zagan’s reworkings of Theophilus II.23

Subsequent history of MS H 277

Guillaume Libri

Concordance of Theophilus chapter numbers in different editions

Other mediaeval technical recipe manuscripts in Montpellier

Modern references to the Liber diversarum arcium

Bibliography

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